The most general case of Separate is described first. The two most common applications are described in greater detail next.
Starting formation
Command examples
- Heads Separate and Star Thru
- Heads Pass Thru; Separate and behind the Sides Touch 1/4
- Heads Pass Thru; Separate and come back home and Swing
- Heads Star Thru; Double Pass Thru; Heads Separate and Star Thru
- Heads Pass Thru; Separate go Around Two; Meet Your Partner and Dosado
- Couple #1 Separate around the ring … pass her once … and pass her again; Allemande the corner
- Heads Pass The Ocean and Swing Thru, Others Separate and Everybody Right and Left Thru
Dance action
Case 1:
The active or designated couple is on Squared Set spots
The dancers turn back-to-back and start walking forward in opposite directions around the outside of the square away from each other until they meet another dancer. The call ends here unless further instructions are given (e.g., “and come back home”).
Case 2:
The active or designated couple is in the center facing out of the square (e.g., after Heads Slide Thru, Square Thru 2)
The couple steps forward and then performs the Separate action described above.
13a.Around 1 or 2 to a Line
Command examples
- Heads Pass Thru; Separate Around 1 To A Line
- Heads Pass Thru; Separate Around 2 To A Line
- Heads Separate Around 1 To A Line
- Heads Square Thru; Split 2, Separate Around 1 To A Line
- Heads Square Thru; Split 2, Around 1 To A Line
- Heads Right And Left Thru; Veer Left; Tag The Line; Split The Sides, First Left, Next Right Around 1 to a Line
Dance action
After a Separate, the active dancers walk around the outside of the set passing the designated number of inactive dancers. The inactives act as stationary objects (referred to as goal-posts) and do not change their facing direction. However, they should counterdance as necessary by stepping forward to allow the actives to walk comfortably around the outside, and then step slightly backward as the actives pass.
The active dancers pass each other as necessary, using right shoulders (as in Pass Thru). The actives only count inactive dancers in determining how far to go.
When the active dancers walk around their last inactive dancer, they either squeeze in between the inactive dancers (who move apart to make room) to become the centers of a general line, or stand outside the inactive dancers to become the ends of a general line. Which action will happen depends on where the count ends the active dancers with respect to the location of the inactive dancers.
These actions are sometimes also called “Squeeze In — Make Lines” or “Hook On To The End — Make Lines”, respectively.
Comments
While “Around 1” and “Around 2” are the most common, higher numbers are acceptable. In all cases, the count is of inactive dancers passed by the active dancers.
Some callers feel that the word “Separate” is required and the proper call is “Split 2, Separate Around 1 To A Line”.
The sequence “Heads Pass Thru; Separate Around 2 And Stand Behind The Sides” is not proper because each active dancer didn’t go around the second inactive dancer at all.
Around 1 or 2 To A Line is not always preceded by Separate. For example, Heads Pass Thru, Both Turn Right, Girl Around 1, Boy Around 2, To A Line.
13b. Around 1 or 2 and come into the middle
Command examples
- Heads Pass Thru; Separate Around 1 and come into the middle with a Right and Left Thru
- Heads Pass Thru; Separate Around 2 and come into the middle with a Right and Left Thru
- Heads Pass Thru; Separate Around 2 and come down the middle with a Right and Left Thru
Dance action
Initially the same as #13, above.
When the active dancers pass their last inactive dancers, they will either squeeze in between and through the inactive dancers (who move apart and back together to make room, as in the call Split 2) to come into the center of the set and take the next call, or will continue forward in a semi-circle around their last inactive dancers to end in the center of the set, ready to take the next call.
Once the actives enter the center of the set, they are ready to take the next call. The inactive dancers finish on the outside of the set where they started and do not participate in the next call.
Ending formation
- Separate Around 1 and Come Into The Middle: Double Pass Thru, Trade By, others possible
- Separate Around 2 and Come Down The Middle: Squared Set with one pair of couples active, others possible
Heads Pass Thru; Separate Around 2 and come down the middle with a: 12
ARC Decisions
(September/October 2004)
Q: From an Eight Chain Thru Formation, the call was given for the centers to “Separate Around One To A Line.”
A: Improper. The dancers would have to separate twice to accomplish the desired results.
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Comments
While Separate is usually followed with instructions for walking around some number of inactive dancers, the active dancers can also be directed to perform some other action (e.g., Separate, walk around the outside passing 2 dancers and Star Thru with the third).
From a squared set, calling “Heads Square Thru 2; Heads Separate, …” would be improper because the heads are initially facing the sides and when they start in the center they must be facing out of the square rather than facing other dancers.